|59E59 Theater Feb. 9 - Mar 4, 2012|
59 E. 59th St. (Park/Madison)
New York, NY
won the 2011 Edgarton Foundation New Play Award, recently completed a full production at The New Jersey Repertory in Long Branch, NJ, and richly, deservedly praised in the Oct. 23 New York Times review.
I cried all the way to the subway and on the long train ride home after that reading of this play. The characters lived in my thoughts for weeks as they continued to evoke real emotions in me as if these were real people whose lives directly connected to mine. We all struggle to live with these stories and images indelibly written into our narrative and seared into our soul. But the impact of storytelling through live theater comes mainly through its the power to entertain. Describing himself as “a sucker for dialogue,” Canfora displays a love of language through verbal workplay that is just, well, very funny and great to listen to, but not at all out of place even dealing such a dramatic subject. That’s commitment plus mastery. That is art.
Jack's hard work was rewarded recently with The Abingdon Theater's Christopher Brian Wolk Award for his play Poetic License which runs February 9 through March 4, 2012 at the 59E59 Theater, 59 E. 59th Street, New York. 9The reviews - which are rich with praise - are linked below this article, Click here for tickets.)Commitment is central to the making of art in the same way that daily, dedicated, usually gradual training is central to qualifying for a marathon. “I wish I did have a method,” Jack explains when asked about his creative process. “I just keep trying. I've had very few ‘Eureka’ moments as a playwright. I have this romantic vision of artists channeling their creativity in great, flaming bursts like the montage sequences from "Amadeus" or "Shakespeare in Love" but it's just repeated attempts for me. Sometimes it flows better than others but I've found that's not a guarantee of quality.” A guitarist and singer/songwriter – he’s the Canfora half of the guitar duo Canfora and Koenig who perform all over New York and wrote some music for the production of Jericho - he cites the influence of musicians John Lennon and Elvis Costello as well as playwrights Arthur Miller and Edward Albee among the artists whose work inspired and helped shape his own. “The nice thing about theater,” Canfora states, as well as, “I would submit any art form -- is that, when it's done right, we learn something collectively.” The great thing about great playsis the opportunity to witness the potential of even a single encounter with another person to change someone’s thinking. We observe the way an intersection of experiences can redirect a person’s life.
Art is healing the way good psychotherapy is healing: when it raises questions that may have no answers but in the effort to examine them we are more alive and awake, which can galvanize our creative energy to engage with the problems we face. Art is a way to use everything inside us – including and sometimes especially our hate, rage, and resentment – to make something of value that lives outside us. Jack Canfora’s hilarious and hard-hitting art can get inside your head and not let go. And whatever our goal or dream in life, we can also take hold of and apply the secret to his success. To be fair, he has a blazing talent to work with, but the important thing is to do something we love enough to stick with it through all the repetitive, frustrating parts of the process. Because we have to find ways to tell our own story, not in spite of, but because of the obstacles and injustices we face. Make the commitment. And just keep trying.
Complete Review of Jericho in the Sunday Oct. 23 New York Times
Reviews of Poetic License: "License To Thrill" New York Post
Time Out New York